Why am I so besotted with Alfa Romeo, really? I ask myself that
question regularly, usually when I've wandered into the showroom on
some flimsy pretext to 'just have a look'. The answer is never the
same. Sometimes it's the line of a wing, sometimes the sound of an
engine on a cold start, sometimes simply that scent of old leather
and petrol fumes that catapults you straight back to an era you
never even consciously lived through. My grandfather held the Alfa
Romeo dealership on the Heilooerdijk in Alkmaar. As a boy I
wandered between the Spiders as if it were the most natural thing
in the world. Only later did I realise I'd had a sort of
car-lover's Disneyland as my playground. The 2600 Berlina is a car
from a time when I wasn't even a twinkle in anyone's eye, yet it
fits perfectly into the picture my grandfather would have sketched
had you asked him about Alfa Romeo's golden years. The scene: the
early sixties. Alfa Romeo has just moved from small, artisanal runs
to larger volumes, but the DNA remains undiluted. The 2600 is the
big brother, the flagship, the car in which you drove to La Scala
as the director of a Milanese textile mill or as a Roman barrister.
Six cylinders in line, 2.6 litres, twin overhead camshafts. At a
time when the competition was still trundling along with side-valve
engines, this was a pure technology demonstration. The design came
from Bertone, then under the direction of a young Giorgetto
Giugiaro. Crisp, elegant, without frills. No excess of chrome, no
American influences, just Italian sobriety with a touch of
self-assurance. The 2600 Berlina was never the loudest Alfa, never
the fastest, never the most coveted. But it was the most grown-up.
The car with which you signalled that you'd made it, without having
to shout about it. Right, back to the 2600 Berlina on offer here.
This example was registered in Rome on 13 January 1966, purchased
by M.A.I.A., a company dealing in agricultural machinery and
industrial vehicles. The purchase price at the time: 2,700,000
Lire. Converted to today's purchasing power, that would buy you a
rather nice flat in an Italian county town. The car remained in
Italian hands for decades, went via Rome to the countryside of
Molise, and made the crossing to the Netherlands in 2015. The
colour is Bianco Antico, a beautiful shade of grey that suits the
era perfectly. The interior is leather, as it should be. The 130
bhp from that straight-six sounds modest by today's standards, but
bear in mind: this is 1966. The Autostrada del Sole had only just
opened, speed limits were all but non-existent, and with this power
you belonged to the fastest ten per cent on the road. The manual
gearbox, the pure mechanics, the direct contact between driver and
machine: that is driving as it was once meant to be. What I
personally find so lovely about this car is the combination of
status and modesty. The 2600 Berlina was never vulgar. Not a car
for the nouveau riche, not a showpiece for those who wanted to be
seen. Rather the conveyance of someone who knew what he had but
made no fuss about it. A barrister who preferred to convince his
clients with arguments rather than gold cufflinks. An industrialist
who measured his success in quality, not in quantity. The
documentation of this example reads like a slice of Italian
bureaucratic history. The original Carta di Circolazione is still
there, complete with tax stamps from the sixties and seventies. You
can literally see when the road tax was paid, how the car changed
owners, how life in Italy carried on while this Alfa quietly
clocked up its miles. This kind of paperwork is rarely found any
more, and it tells a story no modern database can match. Six owners
in almost sixty years. That is loyalty. That is a car that was
cherished, not worn out. It is ready to be driven. Who is this car
for? Not for the Instagram generation that only wants to pose. Not
for the investor who wants to lock it in a vault. But for the
enthusiast who understands that a st
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