When Packard elected to officially offer Howard "Dutch" Darrin's
designs as factory coachwork in its 1940 catalog, it upended the
marque's traditionally conservative image. The previous fall,
Packard had introduced its Eighteenth Series for the 1940 model
year, streamlining its lineup to the One-Twenty and the flagship
Custom Super Eight One-Eighty. While bespoke bodies had largely
given way to standardized production in the wake of the Great
Depression, dealer demand persuaded Packard's board to include
three Darrin-designed bodies-Sport Sedan, Convertible Sedan and the
two-door Convertible Victoria-in the official literature for the
first time.
Dutch Darrin, whose career was forged in Paris alongside Tom
Hibbard and Fernandez & Darrin, returned to Hollywood in 1937 and
immediately cultivated an elite clientele by constructing
show-stopping coachwork on Packard One-Twenty chassis for stars
such as Chester Morris. His Convertible Victoria featured the
iconic "Darrin dip" aft of the doors, seamlessly faired-in trunk
and the bold elimination of running boards-styling cues that
contrasted sharply with Packard's usual styling. After famously
parking a prototype outside the Packard Proving Grounds at the
annual dealer meeting, Darrin secured approval for full factory
production on both the 127-inch One-Twenty and the 138-inch
One-Eighty chassis.
Despite Packard's capacity to build these designs in Indiana under
Darrin's supervision, production remained deliberately limited.
Marque historian Don Figone estimates that just 72 Darrin-bodied
Packards emerged in 1940. Of these, only 28 rode on the One-Twenty
chassis, with the remaining 44 on the Custom Super Eight One-Eighty
platform. Today, these rare catalog-listed Darrins are singular
artifacts of Packard's final coachbuilding chapter.
The car offered here, vehicle number 1801-2025, was exquisitely
restored under the previous owner, a prominent world-class
collector, by Bob Lorkowski and his team at L'Cars in Cameron,
Wisconsin, who between 2017 and 2018 undertook a full nut-and-bolt,
show-level restoration to the highest standards. The original
coachwork was flawlessly refinished in metallic light green, the
interior re-trimmed in supple dove grey leather, and every
mechanical component, including the chassis and undercarriage,
brought up to pristine, freshly restored condition.
Darrin's design reads as pure late-1930s Art Deco. The long,
unbroken hood and the horizontal brightwork spear along the
beltline draw the eye rearward to the signature cut-down door line,
while the absence of running boards leaves the lower body clean and
taut. The low, raked windshield frame and the gently faired tail
lend the profile a sense of motion even at rest. Inside, pleated
dove grey leather sweeps across the seats and door panels, set
against a simulated-wood dashboard whose jewel-like gauge bezels,
switchgear, and prominent round clock are trimmed in bright metal,
with a cream banjo-spoke steering wheel typical of Packard's finest
interiors.
Still fresh today, this One-Twenty Convertible Victoria ranks among
the finest restored examples of a factory Darrin Convertible
Victoria extant-its finish, brightwork, and upholstery all executed
to the high standard the design deserves. Whether gracing concours
lawns or leading touring events, Packard vehicle number 1801-2025
embodies the glamour of Hollywood's Golden Age while showcasing the
very best of Dutch Darrin's design artistry.
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